Ostasien Aktuell What is “K”? Hybridity, Identity, and Global Perceptions of K-Pop
- Date in the past
- Tuesday, 21 July 2026, 20:15 - 21:45
- Centre for Asian and Transcultural Studies, Gebäude 4010, Raum 010.01.05, Voßstraße 2, 69115 Heidelberg
- Prof. Dr. Gyu Tak Lee, George Mason University Korea, Center for Korean Culture and Society
This talk explores how the meaning and boundaries of K-pop are shaped through the interaction of musical hybridity, industrial structure, and audience recognition. Thorugh comparisons with Swedish pop, Latin pop, and world music, it argues that K-pop is not defined by fixed musical, linguistic, or ethnic characteristics. Instead, its distinctiveness lies in the “agency-idol system”, an integrated business model based on long-term training, synchronized choreography, audiovisual storytelling, and coordinated multimedia strategies. The talk also examines how the “K” functions as a flexible signifier: representing national identity for domestic audiences, cosmopolitan modernity for global fans, and cultural visibility for diasporic communities. By reframing K-pop as both a cultural product and an institutional practice, the talk hightlights its significance as a cultural phenomenon shaped by hybridity, globalization, and identity.

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Centre for Asian and Transcultural Studies
Gebäude 4010, Raum 010.01.05
Voßstraße 2
69115 HeidelbergOrganizer
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About Gyu Tag Lee
Gyu Tag Lee is a Professor of Global Affairs and Director of the Center for Korean Culture and Society at George Mason University Korea. His research focuses on popular music, critical media studies, and the globalization of culture, with particular emphasis on K-pop and the Korean Wave (Hallyu). He has published widely on these topics, including The K-Pop Age (2016), K-Pop in Conflict (2020), and Z With Luv: Post-BTS and the Future of K-Pop (2023). He is also a co-author of Exploring Hallyu (2024).