Seal of the month







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New finds/Seals not in the CMS

More than fifty seals in Pylos!

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New Publications

Anderson, E. S. K., 2016....

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Other News

Inauguration of the CMS in Heidelberg with lecture of Ingo Pini!

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New publications

Anderson, E. S. K., 2016. Seals, Craft and Community in Bronze Age Crete. New York, NY: Cambridge University Press.

About: Generations of scholars have grappled with the origins of 'palace' society on Minoan Crete, seeking to explain when and how life on the island altered monumentally. Emily Anderson turns light on the moment just before the palaces, recognizing it as a remarkably vibrant phase of socio-cultural innovation. Exploring the role of craftspersons, travelers and powerful objects, she argues that social change resulted from creative work that forged connections at new scales and in novel ways. This study focuses on an extraordinary corpus of sealstones which have been excavated across Crete. Fashioned of imported ivory and engraved with images of dashing lions, these distinctive objects linked the identities of their distant owners. Anderson argues that it was the repeated but pioneering actions of such diverse figures, people and objects alike, that dramatically changed the shape of social life in the Aegean at the turn of the second millennium BCE.

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Older

Panagiotopoulos, D., 2014. Mykenische Siegelpraxis. Funktion, Kontext und administrative Verwendung mykenischer Tonplomben auf dem griechischen Festland und Kreta. Athenaia 5. Munich: Hirmer Verlag GmbH.

About: This study provides a detailed overview of Mycenaean seal practices and focuses on questions relating to the sealed objects, the types of impressed nodules, the administrative backround and the identity of the individuals who used seals in Mycenaean times. In this way it offers a comprehensive image of the parameters and practical modalities of the act of sealing in Mycenaean times.

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Anastasiadou, M., 2016. 'Drawing the line: Seals, script and regionalism in Protopalatial Crete', AJA 120.2, 159-193.

Summary: A boundary between eastern and central Crete has been proposed for the Protopalatial period on the basis of the distribution of various types of material culture, most notably pottery. The distribution of Protopalatial seal groups, the production of which can be localized to specific regions on the island, is here added to this discussion. Malia and eastern Crete show a preference for prismatic seals with hieroglyphs and pictographic images, whereas central Crete produces mainly seals of other shapes with round seal faces and ornamental motifs. Evidence from seals is discussed in conjunction with evi-dence for the earliest attestations of script in Crete. From this perspective, a hypothesis is here suggested that, in contrast to what was previously thought, in Middle Minoan I/II Cretan Hieroglyphic was “at home” in Malia and the eastern part of the island, while Linear A was native in southern and possibly north-central Crete. In this context, the Hieroglyphic Deposit of Knossos is seen as intrusive in north-central Crete. This article explains the presence of Hieroglyphic documents at Knossos on the basis of theories that view the Minoan palaces as ritual centers potentially open to corporate groups from various regions on the island.

For online access, click here.

Athanasaki, K., 2014. 'Γωνιές Μαλεβιζίου: Το πολιτισμικό τοπίο και οι διαδρομές του οφίτη στην εποχή του Χαλκού', CretChron 34, 219-229.

For online access, click here.

Dionisio, G. - Jasink A.-M. - Weingarten, J., 2014. Minoan Cushion Seals. Innovation in Form, Style, and Use in Bronze Age Glyptic.  Rome: L’Erma di Bretschneider.

About: This book is about a single Minoan seal shape, the cushion seal - a rectangular stone with biconvex faces -- so called because its profile resembles a cushion. This shape is specific to Minoan culture. The first securely-dated cushions appear in Middle Minoan IIB but its floruit is Middle Minoan III-Late Minoan IA, after which it essentially dies out. While, in its early days, the materials, style, and motifs were similar to those of other seal shapes, it later developed a recognizable, perhaps semi-independent style and iconography of its own. Some of the finest examples of Minoan glyptic art appear on cushions. Who crafted them? Had they any special meaning? Why did the shape so abruptly disppear? This book is the first to examine all aspects of cushion seals and to compare them with other contemporary forms of glyptic art. It aims to cast new light on style and form at the transition from the Protopalatial to early Neopalatial period on Crete.

For more information on the publication, click here

Krzyszkowska, O., 2012. ‘Seals from the Petras cemetery: a preliminary overview’ in M. Tsipopoulou,  Petras, Siteia 25 Years of Excavations and Studies. Monographs of the Danish Institute at Athens 16. Athens, 145-160.

Summary: Excavations since 2005 have revealed important unplundered tombs in the vicinity of Petras, Siteia. These include a Prepalatial rock shelter and several house tombs. Among the most significant finds are the seals, datable to the Prepalatial and Protopalatial periods. The earliest include several cylinders made from hippopotamus ivory. Hitherto few seals certainly of this date and material have been discovered further east than Mochlos, and none from secure contexts. Also found were seals of bone and steatite, which are datable to MM I and MM II in Central Cretan terms. Pride of place at Petras are the MM II seals made of hard semi-precious stones – agate, carnelian, blue chalcedony and jasper – some of which bear inscriptions in Cretan hieroglyphic. Shapes represented are Petschafte (loop signets), a rectangular bar, three-sided and four-sided prisms. The association of prisms – whether made of steatite or hard stone – with eastern Crete has long been recognized. However, hitherto virtually all extant hard stone prisms have been stray finds, and none has been discovered in a context likely to be more or less contemporary with manufacture date. The new seals from Petras are of exceptionally high quality – matching if not exceeding the very finest hitherto known. Thus they help to reinforce earlier observations regarding the role of Petras as an emerging regional centre in the Protopalatial period.

For online access, click here.

Crowley, J. L., 2013. The Iconography of Aegean Seals. Aegaeum 34. Leuven: Peeters Publishers.

About: The Iconography of Aegean Seals is a detailed analysis of the iconography of the images on the Aegean seals, signets and sealings, providing for the first time a comprehensive structured overview of these images and a presentation of the artistic rules governing the composition of their designs. The Icon Theory of Aegean glyptic art which encompasses all aspects of the complex iconography and the IconAegean standard vocabulary which reflects the visual language of the seal designs together give the reader a framework for discussion and study that has long been called for by researchers. In this book the reader is taken deep into the seal designs and asked to ponder anew the images in these miniature masterpieces that were of such importance to their Aegean owners. The exposition of the work of the icon in creating memorable seal designs is cogently argued through seal examples. The presentation of the terms of the standard vocabulary in an illustrated dictionary format makes the detail of the seal designs accessible as never before. The copiously illustrated closing discussion on design revises some of the old nomenclature, identifies new motifs and elucidates relationships between image groupings. This book takes a fresh view of the glyptic material, one that may surprise, but one that certainly provides new insights into the subtle, sophisticated and polyvalent iconography of the seal designs.

For more information on the publication, click here.

Hallager, E. - Papadopoulou, E. - Tzachili, I., 2011. 'VRY S (4/4) 01 - The first hieroglyphic inscription from western Crete', Kadmos 50, 63-74.

For online access, click here.

 

 

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Latest Revision: 2017-01-16
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