Prof. Dr. Dagmar Eichberger

Monographien / Authored Books
Herausgeberschaft / Edited Books
Buchbeiträge / Chapters in Books
Aufsätze / Journal Articles
Rezensionen / Reviews & Conference Reports

Veröffentlichungen / Publications

Monographien / Authored Books
	Frauen, Kunst und Macht. Drei Frauen aus dem Hause Habsburg / The Art of Power. Habsburg Women in the Renaissance (with Annemarie Jordan Gschwend and Sabine Haag), exhibition catalogue, Vienna, Kunsthistorisches Museum, 2018. Verfügbarkeit in Heidi prüfen
	Leben mit Kunst – Wirken durch Kunst. Sammelwesen und Hofkunst unter Margarete von Österreich, Regentin der Niederlande, Turnhout: Brepols, 2002. Verfügbarkeit in Heidi prüfen Reviews http://www.hnanews.org/archive/2004/Eichberger.html (Krista de Jonge) The Burlington Magazine CXLVI, January 2004 (Paul G. Matthews) Sehepunkte 3 (2003), Nr. 10, 15.10.2003 (Mark Meadow) The Art Bulletin, 86, 2004 (Julien Chapuis) Journal of the History of Collections, 18, 2006 (Peter Mason) hsozkult.geschichte.hu-berlin.de/rezensionen/2003-2-086 (Sigrid Ruby)
​​​	Bildkonzeption und Weltdeutung im New Yorker Diptychon des Jan van Eyck, Wiesbaden: Dr. Ludwig Reichert Verlag, 1987. Verfügbarkeit in Heidi prüfen Reviews The Burlington Magazine, Vol. 131, No. 1030 (Jan., 1989), p. 47 (C.R.)
​​	Jan van Eyck als Erzähler (with Hans Belting), Worms: Werner‘sche Verlagsgesellschaft 1983. Verfügbarkeit in Heidi prüfen Reviews Speculum 60 (1985), 638-641 (Jeffrey Chipps Smith) The Art Bulletin, LXIX, 4 December, 1987,651-656 (Carol Purtle)
Herausgeberschaft / Edited Books
	Visual Typology in Early Modern Europe. Continuity and Expansion (edited with Shelley Perlove), Turnhout: Brepols, 2018. Verfügbarkeit in Heidi prüfen Reviews HISTORIANS OF NETHERLANDISH ART REVIEWS: https://hnanews.org/hnar/reviews/visual-typology-in-early-modern-europe-continuity-and-expansion/ (Jeffrey Chipps Smith)
	The Artist between Court and City (1300-1600). L'artiste entre la cour et la ville. Der Künstler zwischen Hof und Stadt (edited with Philippe Lorentz), artifex. Quellen und Studien zur Künstlersozialgeschichte (series editor: Andreas Tacke), Imhof: Petershof, 2017. Verfügbarkeit in Heidi prüfen
	Religion, the Supernatural and Visual Culture in Early Modern Europe: An album amicorum for Charles Zika (edited with Jennifer Spinks), Brill: Leiden, 2015. Verfügbarkeit in Heidi prüfen
​​	Women at the Burgundian Court. Presence and Influence – Femmes à la court de Bourgogne. Présence et Influence (edited with Anne-Marie Legaré and Wim Hüsken), Turnhout and London: Brepols, 2010. Verfügbarkeit in Heidi prüfen Reviews Renaissance Quarterly 64/3 (2011), p. 919 (Anne Simonson) Historians of Netherlandish Art www.hnanews.org/hna/bookreview/index.html, 2012 (Ann Roberts) Bulletin du bibliophile No. 2 (2013), p. 380 (Cynthia J. Brown) Francia-Recensio, 2013/4 (Jacques Paviot)
​ ​	Women of Distinction: Margaret of York and Margaret of Austria (Hrsg.), Dutch edition: Dames met Klasse: Margareta van York en Margareta van Ostenrijk en Mechelen, Turnhout-London: Brepols and Leuven: Davidsfonds 2005. Verfügbarkeit in Heidi prüfen Reviews www.hnanews.org/archive/2006/11/eichberger.html (Dan Ewing) www.sehepunkte.de/2007/01/9748.html (Sigrid Ruby) The Burlington Magazine 148, 2006 (Lars Hendrikman)
​	Dürer and his Culture (edited with Charles Zika), Cambridge: Cambridge University Press, 1998. Verfügbarkeit in Heidi prüfen Reviews http://www.hnanews.org/archive/2001a/eichberger01.html (Jane Campbell Hutchinson) http://www.h-net.org/reviews/showrev.cgi?path=268901160776517 (Andrew Morrall) German Studies Review, Vol. 22, No. 2 (May, 1999), pp. 285-286 (Albrecht Classen)

Buchbeiträge / Chapters in Books

• „Albrecht Dürers Begegnungen mit Margarete von Österreich und sein Netzwerk am kaiserlichen Hof“, in: exh. cat. Dürer war hier. Eine Reise wird Legende, Aachen, edited by Peter van den Brink, Suermondt-Ludwig Museum, October 2020 (to be published).
• Essays in: FRAUEN, KUNST UND MACHT. Drei Frauen aus dem Hause Habsburg/ THE ART OF POWER. Habsburg Women in the Renaissance (edited with Annemarie Jordan Gschwend and Sabine Haag), Wien, KHM, Juni 2018.
  • “Collections and Connoisseurship - Habsburg Women as Patrons of the Arts/ Sammelwesen und Kunstkennerschaft. Die Frauen des Hauses Habsburg.“ (with Annemarie Jordan Gschwend).
  • „Erzherzogin Margarete von Österreich (1480-1530), eine kluge Witwe mit Kunstverstand/ Margaret of Austria (1480-1530), an enlightened widow“ (Dagmar Eichberger).
  • „Queen Mary of Hungary, a discerning Art Agent with a Vision/ Königin Maria von Ungarn (1505-1558), eine begabte Kunstagentin mit Weitsicht (with Annemarie Jordan Gschwend).
• “Making Choices: The Seven Joys of the Virgin and The Seven Sorrows of the Virgin,” in: Princesses et Renaissance(s) La commande artistique de Marguerite d'Autriche et de son entourage, edited by Magali Briat-Philippe, Pierre-Gilles Girault and Laurence Rivière-Ciavaldini (Editions du Patrimoine, Monuments Nationaux: 2018).
• “Maneuvering between Competing Courts: Jean Lemaire de Belges (1473-1515), Historio-grapher and Connoisseur,” 237-246, in: Imagery and Ingenuity in Early Modern Europe: Essays in Honor of Jeffrey Chipps Smith, edited by Catherine Ingersoll, Alisa McKusker and Jessica Weiss, Turnhout: Brepols, 2018.
• “The Seven Sorrows of the Virgin. Spreading a Cult via Dynastic Networks.” 483-512, in: The Nomadic Object: Early Modern Religious Art in Global Context, edited by Christine Göttler and Mia M. Mochizuki (Intersections. Interdisciplinary Studies in Early Modern Culture), Leiden: Brill, 2017.
• • “Sophisticated Courtier or skilled Artisan? Re-assessing modern notions of the artist in the late Middle Ages and the Early Modern Period” (with Philippe Lorentz), in: The Artist between Court and City (1300-1600). L’artiste entre la cour et la ville. Der Künstler zwischen Hof und Stadt, edited by Dagmar Eichberger und Philippe Lorentz, Petersberg: Imhoff, 2017.
• “Oratio ad Proprium Angelum: The Guardian Angel in the Rothschild Hours,” 150-63, in: The Primacy of the Image in Northern European Art, 1400-1700: Essays in Honor of Larry Silver, edited by Debra Cashion, Ashley West and Henry Luttikuysen, Leiden: Brill, 2017.
• “Framing Warfare and destruction in Sixteenth-Century Netherlandish Prints: The Clades Judaeae Gentis Series by Maarten van Heemskerck,” 227-47, in: Disaster, Death and the Emotions in the Shadow of the Apocalypse, 1400-1700, edited by Jennifer Spinks and Charles Zika, London and New York: Palgrave Macmillan, 2017.
• “Branding: Porträtkunst und Visualisierungsstrategien am Beispiel Margaretes von Österreich, Regentin und Generalstatthalterin der Niederlande,“ 108-19, in: Das Porträt als kulturelle Praxis, edited by Eva Krems and Sigrid Ruby, Deutscher, Berlin: Kunstverlag, 2016.
• “Introduction: Scholarship, Friendship and Border-Crossing (with Jennifer Spinks),” 1-18, in: Religion, the Supernatural and Visual Culture in early Modern Europe. An Album Amicorum for Charles Zika, edited by Jennifer Spinks and Dagmar Eichberger, Brill: Leiden, 2016.
• “Visualizing the Seven Sorrows of the Virgin: Early Woodcuts and Engravings in the context of Netherlandish Confraternities,” 113-43, in: The Seven Sorrows Confraternity of Brussels: Drama, Ceremony, and Art Patronage (16th-17th Centuries), edited by Emily Snow Thelen, Turnhout: Brepols (Studies in European Urban History, 37), 2015.
• “Gideon, an Old Testament Hero in Action. Burgundian Symbolism and the Visual Language of Protestant Flanders,” 684-710, in: Imago Exegetica: Visual Images as Exegetical Instruments, 1400-1700’ (INTE 33), edited by James Clifton, Walter S. Melion and Michel Weemans, Leiden: Brill, 2014.
• “Official portraits and regional identities. The case of Emperor Maximilian I (1459-1519),” 100-114, in: The Habsburgs and their Courts in Europe, 1400-1700. Between Cosmopolitism and Regionalism, edited by Herbert Karner, Ingrid Ciulisová und Bernardo J. García, 2014.
• “Margaret of Austria’s Treasures. An early Habsburg Collection in the Burgundian Netherlands,” 71-80, in: El museo imperial. El  coleccionismo artístico de los Austrias en el siglo XVI, edited by Fernando Checa Cremades, Madrid: Villaverde Editores, 2013.
• “Der Prophet Jona zwischen Typologie und Historie, Akzentverschiebungen in der Kunst des 16. Jahrhunderts,” 117-38, in: Der problematische Prophet. Die biblische Jona-Figur in Exegese, Theologie, Literatur und bildender Kunst, edited by Johann Anselm Steiger and Wilhelm Kühlmann, Berlin: De Gruyter, 2011.
• “Instrumentalising Art for Political Ends. Margaret of Austria, ‘regente et gouvernante des pais bas de l’empereur’,” 571-84, in: Femmes de pouvoir, femmes politiques durant les derniers siècles du Moyen Âge et au cours de la première Renaissance, edited by Éric Bousmar, Alain Marchandisse, Bertrand Schnerb and Jonathan Dumont, Brussels: De Boeck, 2012 (Bibliothèque du Moyen Âge, 28).
• “Margaret of Austria and the documentation of her collection in Mechelen,” in: The Inventories of Charles V and the Imperial Family, edited by Fernando Checa Cremades, vol. III., 2351-2363, Madrid: Villaverde, 2010.
• “Playing Games. Men, Women and Beasts on the Backgammon Board for King Ferdinand I and Queen Anna of Bohemia and Hungary,” in: Women at the Burgundian Court. Presence and Influence – Femmes à la court de Bourgogne. Présence et Influence, edited by Dagmar Eichberger, Anne-Marie Legaré and Wim Hüsken, Turnhout and London: Brepols, 2010.
• “Dürer and the Netherlands: Patterns of Exchange and Mutual Admiration,” 149-65 und 258-62, in: The Essential Dürer, edited by Larry Silver und Jeffrey Chipps Smith, Philadelphia: University of Pennsylvania Press, 2010.
• “Margaret of Austria and the documentation of her collection in Mechelen,” in: The Inventories of Charles V and the Imperial Family, edited by Fernando Checa Cremades, vol. III., 2351-2363, Madrid: Villaverde, 2010.
• “Ein ‘Musenhof’ in den südlichen Niederlanden als Vorbild für das Alte Reich,” 91-98, in: Apelles am Fürstenhof. Facetten der Hofkunst im Alten Reich, edited by Matthias Müller, Klaus Weschenfelder, Beate Böckem und Ruth Hansmann, Coburg: Lukas, 2010.
• “Distance physique – proximité spirituelle: la double présence de Marguerite d’Autriche à Brou et à Malines,“ 41-57, in: Brou, un monument européen à l’aube de la Renaissance/ Brou, a European Monument in the Renaissance, Centre des monuments nationaux, edited by Caecilia Pieri, Paris: Centre des Monuments Nationaux, 2009.
• “’Una libreria per donne assai ornata et riccha’ – Frauenbibliotheken des 16. Jahrhunderts zwischen Ideal und Wirklichkeit,“ 241-64, in: Die lesende Frau, edited by Gabriela Signori, Wiesbaden: Harrassowitz, 2009.
• “Patterns of Domestication. Exotic animals, plants and people in Australian and European Decorative Arts,“ 336-42, in: Crossing Cultures. Conflict, Migration and Convergence, edited by Jaynie Anderson, Proceedings of the 32th Congress of the international Committee of the History of Art (CIHA), Melbourne, 13th to 18th January 2008, Melbourne, 2009.
• “Begegnungen. Grünewald im Spiegel seiner Zeitgenossen,” 2-14, in: Grünewald und der Isenheimer Altar. Ein Meisterwerk im Blick, edited by Pantxika Béguerie-De Paepe und Philippe Lorentz, Paris: Musée d’Unterlinden, 2007.
• “ALBERTVS · DURER · NORICVS. Un artista europeo en el contexto de su ciudad natal, Nuremberg/ A European artist in the context of his native city, Nuremberg,” 65-81 (spanisch) und 482-488 (englisch), in: Durero y Cranach. Arte y Humanismo en la Alemania del Rinascimiento, edited by Fernando Checa Cremades, Madrid: Thyssen-Bornemisza Museum, 2007.
• “Margaret of Austria. A Princess with Ambition and Political Insight,” 48-55, in: Women of Distinction: Margaret of York and Margaret of Austria/ Dutch edition: Dames met Klasse: Margareta van York en Margareta van Ostenrijk en Mechelen, edited by Dagmar Eichberger, Turnhout-London: Brepols/ Leuven: Davidsfonds 2005.
• “The Culture of Gifts. A Courtly Phenomenon from a Female Perspective,” 286-95, in: Women of Distinction: Margaret of York and Margaret of Austria, edited by Dagmar Eichberger, Turnhout-London: Brepols/ Leuven: Davidsfonds 2005.
• “Illustrierte Festzüge für das Haus Habsburg-Burgund: Idee und Wirklichkeit,“ 73-98, in: Hofkultur in Frankreich und Europa im Spätmittelalter. La culture de cour en France et e Europe à la fin du Moyen Âge, edited by Christian Freigang and Jean-Claude Schmitt, Berlin: Akademie, 2005.
• “’Car il me semble que vous aimez bien les carboncles’ - Die Schätze Margaretes von Österreich und Maximilians I.,“ 129-52, in: Vom Umgang mit Schätzen, Konferenz am Institut für Realienkunde des Mittelalters und der frühen Neuzeit, edited by Elisabeth Vavra, Kornelia Holzner-Tobisch and Thomas Kühtreiber, Vienna: Österreichische Akademie der Wissenschaften, 2007.
• “The Winged Altarpiece in Early Netherlandish Art,” 152-72, Abb. 92-102, in: Making Medieval Art, edited by Philip Lindley, Stamford: Paul Watkins, 2003.
• “A Cultural Centre in the southern Netherlands: the Court of Archduchess Margaret of Austria (1480-1530) in Mechelen,“ 239-58 (ill. 3-9), in: Princes and Princely Culture (c. 1450-1650), edited by M. Gosman, A. Vanderjagt und A. MacDonald, Leiden: Brill, 2003.
• “Stilpluralismus und Internationalität am Hofe Margarete von Österreichs (1506-1530),“ 261-83, in: Wege zur Renaissance, edited by Norbert Nußbaum, C. Euskirchen und Stephan Hoppe, Cologne: SH, 2003.
• “A noble Residence for a Female Regent. Margaret of Austria and the Construction of the Palais de Savoy in Mechelen,“ 25-46 plus illustrations, in: Architecture and the Politics of Gender in Early Modern Europe, edited by Helen Hills, Aldershot and Burlington: Ashgate, 2003.
• “Neue Wege in der Kunst des Hochdrucks: der Riesenholzschnitt,“ 28-35, in: Albrecht Dürer. Das druckgraphische Werk, vol. 2, edited by Rainer Schoch, Matthias Mende and Anna Scherbaum, München: Prestel, 2002, plus several entries.
  • Review: www.sehepunkte.de/2003/11/pdf/3444.pdf (Annette Kranz)
• “Close Encounters with Death: Changing Representations of Women in Renaissance Art and Literature,” 173-96, in: Reading texts and images. Essays on medieval and renaissance art and patronage, in Honour of Margaret M. Manion, edited by Bernard Muir, Exeter: Exeter University Press, 2002.
• “Habsburg und das kulturelle Erbe Burgunds,” 184-95, in: Jan van Eyck und seine Zeit. Flämische Meister und der Süden, 1430-1530, edited by Till-Holger Borchert, Gent, 2002.
  • Review: http://www.hnanews.org/archive/2002/11/borchert.html (Marina Belozerskaya)
• “Dürer and his Culture - an Introduction,“ (with Charles Zika), 1-10, and “Select Bibliography: Albrecht Dürer, 1971-1997 (with Charles Zika), 237-50, in: Dürer and his Culture, edited by Dagmar Eichberger und Charles Zika, Cambridge: Cambridge University Press, 1998.
• “Naturalia and Artefacta: Dürer's Nature Drawings and Early Collecting," 13-37 und 12-16, in: Dürer and his Culture, edited by Dagmar Eichberger and Charles Zika, Cambridge: Cambridge University Press, 1998.
• "Devotional Objects in Book Format: Diptychs in the Art Collection of Margaret of Austria and her Family," 285-303, in: The Art of the Book: Its Place in Medieval Worship, edited by Margaret Manion and Bernhard Muir, Exeter: Exeter University Press, 1998.
• “Dürer and the Printed Book,“ 45-62, in: Albrecht Dürer in the Collection of the National Gallery of Victoria, edited by Irena Zdanowicz, Melbourne: The National Gallery, 1994.
• “Image follows Text? - The Visions of Tondal and its Relationship to Depictions of Hell and Purgatory in Fifteenth Century illuminated Manuscripts,“ 129-40, in: Margaret of York, Simon Marmion and The Visions of Tondal (Papers delivered at a symposium held at the J. Paul Getty Museum, June 1990), edited by Thom Kren, Malibu: The J. P. Getty Museum, 1992.